Ghosts gathering in Shanghai: ACCL Fudan 2015

Tales of snake women, cinematic phantoms and apocalyptic comets filled the small meeting room at one of the top floors of Fudan‘s Guanghua Towers, when I took part in a panel on the role of the Uncanny in Chinese literature and film organized by Charles Laughlin and Zhange Ni at this years ACCL conference in June. Our aim was to discuss how fictional narratives might make use of uncanny elements to push the limits of scientific and enlightenment discourse.

First speaker Jessica Imbach from University of Zurich, talked about ambiguous gender roles in republican era ghost stories from Shanghai writers such as Zhang Kebiao and Xu Xu. Kenny Ng from City U. of Hong Kong showed us beautiful film clips from 1930s Hong Kong ghost movies, Yizhi Xiao from Brown University found supernatural elements in the otherwise rational and scientific comet writings of early 20th century Chinese sci-fi and I presented my analyses of uncanny places as sites of both trauma and self-realization in the works of Can Xue (read abstract).

Other presenters included Ping Zhu on Lu Xun and the ‘Ghost question,’ Shuyu Kong on ghosts in Liu Suola, Heng Chen on Anti-rationalism and Lu Xun’s take on fiction, Liang Luo on the legend of the White Snake, Vivien Wei Yan on Qing detective stories, Mengxing Fu on Wang Tao’s Zhiguai writing, Peng Liu on Buddhism in Lü Bingcheng’s writing and Lei Ying on the transformations of Guanyin in Li Yu’s fiction.

I want to thank the organizers (not least Shengqing Wu and the student assistants!) and participants for a wonderfully inspiring conference.

ACCL Fudan

Berlin Library

When I was visiting a friend in Berlin last spring, I came across this wonderful science fiction like library. I very much regret not going in, yet it gave me the benefit of being able to freely imagine the insides of this strange orange monster of a building.

A couple of days ago I read Borges’ ‘The Library of Babel’ and was reminded of my spacey Berlin library:

“The universe (which others call the Library) is composed of an indefinite and perhaps infinite number of hexagonal galleries, with vast air shafts between, surrounded by very low railings. From any of the hexagons one can see, interminably, the upper and lower floors. The distribution of the galleries is invariable. Twenty shelves, five long shelves per side, cover all the sides except two; their height, which is the distance from floor to ceiling, scarcely exceeds that of a normal bookcase. One of the free sides leads to a narrow hallway which opens onto another gallery, identical to the first and to all the rest.” (Borges, Jorge Louis: ‘The Library of Babel’)

Though the orange building certainly looks quite finite from the outside, it seems perfectly plausible to me, following the science fiction logic of its rounded square aesthetics, that the inside might be as vast and geometrically intricate as the universe library described by Borges. It also reminds me of a big bug, which in turn reminds me of Kafka. A big bug full of books, well there it is.